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Kameraman Forum - TfKyAgkzNQW Gerald (Ziyaretçi)
| | By the turn on the 20th century, amateur advisors and publications were increasingly challenging the monopoly how the large retail companies had on design. English feminist author Mary Haweis wrote a few widely read essays within the 1880s during which she derided the eagerness which aspiring middle-class people furnished their houses in accordance with the rigid models accessible to them through the retailers.[10] She advocated anyone adoption of any particular style, tailor-made to the person needs and preferences from the customer:
"One of my strongest convictions, and one with the first canons of a good taste, is our houses, much like the fish_s shell and also the bird_s nest, must represent our individual taste and habits.
The move toward decoration to be a separate artistic profession, unrelated on the manufacturers and retailers, received an impetus with all the 1899 formation from the Institute of British Decorators; with John Dibblee Crace since its president, it represented almost 200 decorators round the country.[11] By 1915, the London Directory listed 127 individuals trading as interior decorators, which 10 were women. Rhoda and Agnes Garrett were the initial women to practice professionally as decorators in 1874. The importance of their work towards design was regarded at that time as using a par with this of William Morris. In 1876, their work _ Suggestions for House Decoration in Painting, Woodwork and Furniture _ spread their tips on artistic interior planning to a wide middle-class audience.[12]
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